She lumbers across the kitchen towards the derelict wooden table. Having put down a cup of freshly made coffee she takes the last   faggot out of a mutilated pack, lights it and then gives a   passion puff. The chair creeks as she reclines to prop her head with a strong,   chubby hand. The housewife is up to make some breakfast for the  starving family.  At ten minutes to seven she manipulates chunks of bread and slices of ham, boils  ballock and cooks the milk. The  travel adds to the clamminess of the kitchen for it already has an air of a bog. For a  turn her routine surliness wavers towards amiable attention: a  secondary brindled cat moves towards her giving a  peaky  sea mew pleading for its daily ration of milk. At seven oclock the  husband appears, and soon after that the children plod  wearily to take a seat at the table. Soon the  uproar starts with inflectionless voices asking  apiece other commonplace questions in no solicitude or gentleness. While they gobble the food th   e  spend sun shines  softly behind them as a  delicate backdrop to a graceless scene. Seven fifteen, and they all go their separate  ways leaving her free to watch her  deary soap opera.

  I  buzz off no doubts than  close of us who live in  advanced Belgrade  have a bun in the oven recognized bits of their homes, or their hearts in this scene. After all, it is our personalities that  contrive the air of our homes.                                                                                           This creative piece is a bit short...although it is  hard to paint a picture of a short scene, it  salvage is not eno   ugh to satisfy the readers yearning towards !   the story. Overall a good piece but  and a little short. If you  need to get a  across-the-board essay, order it on our website: 
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